To begin to understand energy, it is necessary to develop an understanding of harmonics. How convenient is it that the underlying infinite intelligence has endowed humanity with senses that can be used by the astute to intuit energy’s true nature, to thus arrive at a higher understanding by an analysis of light and sound?
Energy manifests on the stage of space and time as what we perceive as vibration; waves of pressure (the force of intention) imparted by light (which emanates from and is received by Mind) onto the stage of the conscious field. The quintessential nature of unmanifested energy (the intention of Mind) is refracted by the prism of space and time thus, thought finds its path to form. It is very much like when the octave of visible light (Octave 50) is refracted, by the orderly geometry of a material crystalline lattice, into its 7 major tone components. In both cases, precisely the same thing has happened: expressions of Unity have fallen into less perfect pluralistic states so as to be made “digestible” for the witnessing “physical” presence.
Energy is mind-ignited causality.
Space and time are the stage where the effects of this causality unfold.
This refraction of energy through space and time is seen to be vibratory, its oscillatory results emanating spherically whether perfectly or oblately.
The scale (or length) of each oscillation is related to the number of oscillations the energy wave produces in a given unit of time. Though every octave may be infinitely divided (or at least very minutely divided indeed) into ever finer shades of semi-tones, there exists a direct correspondence between the Golden Ratio, Phi, and the 12 major and minor tones. These 12 tones fall into natural agreement with the universal human aesthetic for sight (color) and sound (pitch). These seminal tone positions within each octave are represented below. I have clad them in the terminology of western music theory together with the Phi generated mathematical ratios which cause them.
Figure 0. - 12 tones of C
Notice how the Major Tones “point” to the Northeast and the Minor Tones point to the Southwest. Notice also the opposing symmetry between the grey and white shapes.
The relationships between the Perfect Fifth intervals are instructive.
Figure 0.5 - Equilateral Fifths
The 12 tone series of charts below provides specific frequency and wavelength data about 100 octaves of light. The series ranges from Octave 1 (starting from the tone produced by a single oscillation in one second) up through Octave 100 (starting with the tone produced by 1,267,650,600,228,229,401,496,703,205,376 oscillations in one second).
Octave 1
Figure 1. - Octave 1
–
Octave 2
Figure 2. - Octave 2
–
Octave 3
Figure 3. - Octave 3
–
Octave 4
Figure 4. - Octave 4
–
Octave 5
Figure 5. - Octave 5
–
Octave 6
Figure 6. - Octave 6
–
Octave 7
Figure 7. - Octave 7
–
Octave 8
Figure 8. - Octave 8
–
Octave 9
Figure 9. - Octave 9
–
Octave 10
Figure 10. - Octave 10
–
Octave 11
Figure 11. - Octave 11
–
Octave 12
Figure 12. - Octave 12
–
Octave 13
Figure 13. - Octave 13
–
Octave 14
Figure 14. - Octave 14
–
Octave 15
Figure 15. - Octave 15
–
Octave 16
Figure 16. - Octave 16
–
Octave 17
Figure 17. - Octave 17
–
Octave 18
Figure 18. - Octave 18
–
Octave 19
Figure 19. - Octave 19
–
Octave 20
Figure 20. - Octave 20
–
Octave 21
Figure 21. - Octave 21
–
Octave 22
Figure 22. - Octave 22
–
Octave 23
Figure 23. - Octave 23
–
Octave 24
Figure 24. - Octave 24
–
Octave 25
Figure 25. - Octave 25
–
Octave 26
Figure 26. - Octave 26
–
Octave 27
Figure 27. - Octave 27
–
Octave 28
Figure 28. - Octave 28
–
Octave 29
Figure 29. - Octave 29
–
Octave 30
Figure 30. - Octave 30
–
Octave 31
Figure 31. - Octave 31
–
Octave 32
Figure 32. - Octave 32
–
Octave 33
Figure 33. - Octave 33
–
Octave 34
Figure 34. - Octave 34
–
Octave 35
Figure 35. - Octave 35
–
Octave 36
Figure 36. - Octave 36
–
Octave 37
Figure 37. - Octave 37
–
Octave 38
Figure 38. - Octave 38
–
Octave 39
Figure 39. - Octave 39
–
Octave 40
Figure 40. - Octave 40
–
Octave 41
Figure 41. - Octave 41
–
Octave 42
Figure 42. - Octave 42
–
Octave 43
Figure 43. - Octave 43
–
Octave 44
Figure 44. - Octave 44
–
Octave 45
Figure 45. - Octave 45
–
Octave 46
Figure 46. - Octave 46
–
Octave 47
Figure 47. - Octave 47
–
Octave 48
Figure 48. - Octave 48
–
Octave 49
Figure 49. - Octave 49
–
Octave 50
Figure 50. - Octave 50
–
Octave 51
Figure 51. - Octave 51
–
Octave 52
Figure 52. - Octave 52
–
Octave 53
Figure 53. - Octave 53
–
Octave 54
Figure 54. - Octave 54
–
Octave 55
Figure 55. - Octave 55
–
Octave 56
Figure 56. - Octave 56
–
Octave 57
Figure 57. - Octave 57
–
Octave 58
Figure 58. - Octave 58
–
Octave 59
Figure 59. - Octave 59
–
Octave 60
Figure 60. - Octave 60
–
Octave 61
Figure 61. - Octave 61
–
Octave 62
Figure 62. - Octave 62
–
Octave 63
Figure 63. - Octave 63
–
Octave 64
Figure 64. - Octave 64
–
Octave 65
Figure 65. - Octave 65
–
Octave 66
Figure 66. - Octave 66
–
Octave 67
Figure 67. - Octave 67
–
Octave 68
Figure 68. - Octave 68
–
Octave 69
Figure 69. - Octave 69
–
Octave 70
Figure 70. - Octave 70
–
Octave 71
Figure 71. - Octave 71
–
Octave 72
Figure 72. - Octave 72
–
Octave 73
Figure 73. - Octave 73
–
Octave 74
Figure 74. - Octave 74
–
Octave 75
Figure 75. - Octave 75
–
Octave 76
Figure 76. - Octave 76
–
Octave 77
Figure 77. - Octave 77
–
Octave 78
Figure 78. - Octave 78
–
Octave 79
Figure 79. - Octave 79
–
Octave 80
Figure 80. - Octave 80
–
Octave 81
Figure 81. - Octave 81
–
Octave 82
Figure 82. - Octave 82
–
Octave 83
Figure 83. - Octave 83
–
Octave 84
Figure 84. - Octave 84
–
Octave 85
Figure 85. - Octave 85
–
Octave 86
Figure 86. - Octave 86
–
Octave 87
Figure 87. - Octave 87
–
Octave 88
Figure 88. - Octave 88
–
Octave 89
Figure 89. - Octave 89
–
Octave 90
Figure 90. - Octave 90
–
Octave 91
Figure 91. - Octave 91
–
Octave 92
Figure 92. - Octave 92
–
Octave 93
Figure 93. - Octave 93
–
Octave 94
Figure 94. - Octave 94
–
Octave 95
Figure 95. - Octave 95
–
Octave 96
Figure 96. - Octave 96
–
Octave 97
Figure 97. - Octave 97
–
Octave 98
Figure 98. - Octave 98
–
Octave 99
Figure 99. - Octave 99
–
Octave 100
Figure 100. - Octave 100
All energy cycles through countless octaves of light.
There is a correspondence between the quality of mind-generated causality and rate of light vibration produced by that mind.
A mind generating high vibrational causality will be perceived on the stage of effects as the author of kindness and love.
A mind generating low vibrational causality will be perceived on the stage of effects as the author of shades of darkness and hatred.
Each octave is like every other except for in scale.
As above, so below.
A mind generating extremely high vibrational causality will be perceived on the stage of effects as the author of the “miraculous” for such a one is no longer bound by the ordinary constraints of physical existence. Such minds, through persistent effort, have become able to work natively with extremely high vibrations of light, vibrations so high as to be beyond the range of ordinary human experience. Such experiences transcend the senses and these minds are able to work consciously with Astral light by intention alone.
Though this eventuality is the aspiration of all major spiritual teachings, I have set out to show that one can reach these conclusions (and experiences) by scientifically following where the clues of light and sound harmonics lead which is to the inner study of one’s own mind and the eventual understanding that all minds are in fact Unified as One Mind in the cosmic vastness of the Conscious Field.
.:.
