In 1871 Medeleev organized these elements into a table now well known as the Periodic Table of the Elements. Medeleev’s first published version of this table is shown below:

He discerned the periodicity of the elements as being a function of their increasing atomic weight. The modern periodic table is arranged as follows:

The standard periodic table is rectangular with counter-intuitive gaps occuring within the horizontal rows (called periods) to keep elements with similar properties grouped together in vertical columns (called groups), such as alkali metals, alkali earth metals, halogens and noble gases.

A wide, expanded view of the standard periodic table is shown below.

**Elements of Mind and Light**

Creation is caused by the subdivision of the conscious field into manifold parts through constructive or destructive acts of Mind resulting in the apparent existence of a universe of myriad parts; of subject and object.

Energy is the native aspect of Mind which allows effect to flow from Mind-ignited cause so that a desired outcome may arise.

Energy is Mind’s force of intention.

The outward expression of the conscious field is the empty space that underlies all material form.

The inward expression of the conscious field is the empty space of awareness that underlies all thought form.

In both cases, this underlying spacious emptiness, outward (physical) and inward (mental) is one and the same. The still space between thoughts is same as the still space between stars.

Everything perceived in Creation is manifested in the conscious field as an effect of the force of Mind, that is, as an effect of the constructive or destructive will of Mind.

Light is the primary effect of causality.

Light is exerted by Mind upon the conscious field and produces vibratory pressures thereupon.

Human beings perceive these pressures as vibrations of light oscillating in empty space.

Our eyes perceive a slim band of these frequencies as visible light which Mind translates into the human experience of sight. In this way, the effect, born of the primary, mind-ignited cause manifests visibly to the range of human experience.

Many frequencies of light exist which are beyond our ability to sense directly. Certain ranges can harm the physical body, while others may soothe or heal it, and still others can have altering effects on states of consciousness.

The creation mechanism that gives rise to the physical universe is when light, which is directly linked to primary causality; the will of Mind, imparts vibration and potential to empty space.

The vast intelligence which has sustained the Cosmos by the force of it’s will and of which each human being is an inseparable part (as individual drops of water are inseperable from the ocean), has produced vast amounts of apparent “material substance” or ”matter”. These gases, liquids and solids serve as a further medium for the movement of energy through apparent space and time.

Energy passing through material mediums yield second order effects cascading into subsequent degrees of complexity. An example of this is the transference of energy through the medium of atmospheric gas. This result is a pressure wave traveling through the air. When this pressure wave contains frequencies ranging between 20 to 20,000 cycles per second, human ears can translate these into the experience of sound in the Mind; cause and effect have come full circle.

Energy moving through the medium of a conductor (e.g., copper wire) produces a charge pressure wave in the copper material lattice that can be used to create useful electronic devices. Here the cause and effect interaction is facilitating human inventiveness.

The elements of the Periodic Table are also an artifact of consciousness, of light.

One way to empirically analyze the extremely high light harmonics that produce matter is by carefully studying the atomic absorption and emission spectra for the known elements. Each spectra provides a unique lower harmonic “light signature” for each element.

Below is a complete listing of the unique light signatures for all known forms of matter:

**The Tones of Matter**

Jelaleddin Rumi, a Persian Sufi mystic who lived from 1207 to 1273 century AD once said:

“In the rhythm of music a secret is hidden; If I were to divulge it, it would overturn the world.”

It was also anciently said by the great Alexandrian master Hermes Trismegistus, “As above so below”.

Both of these statements refer to the nature of energy.

The cycling aspect of energy can be relied upon at any octave.

Every octave of energy is identical to all others.

The only variation in comparing one octave to another is scale.

As the wavelengths grow longer, frequencies decrease – the energy and scale decreases.

As the wavelengths grow shorter, frequencies increase – the energy and scale increases.

We can experience this reliable, regular quality of energy when we hear the 7 major tones of the musical scale in the audio frequency range.

Do – Re – Mi – Fa – So – La – Ti

The human ear is capable of perceiving a range of 10 octaves of energy.

We can also experience this reliable, regular quality of energy when we see the 7 major tones of color in the frequency range of visible light.

Violet – Indigo – Blue – Green – Yellow – Orange – Red

There is a direct correspondence here: as above, so below.

We see “Violet” in the higher octave, we hear “Do” at the lower octave.

We see “Indigo” in the higher octave, we hear “Re” at the lower octave.

We see “Blue” in the higher octave, we hear “Mi” at the lower octave.

We see “Green” in the higher octave, we hear “Fa” at the lower octave.

We see “Yellow” in the higher octave, we hear “So” at the lower octave.

We see “Orange” in the higher octave, we hear “La” at the lower octave.

We see “Red” in the higher octave, we hear “Ti” at the lower octave.

The human eye is capable of perceiving but a single octave of energy.

We experience this reliable, regular quality of energy as the 118 tones of known matter which span across 7 octaves.

In other words, at an extremely high rate of vibration, in the wavelength range of perhaps 0.01 Å to 10 mÅ or shorter, light “condenses” into that which we perceive as matter.

According to the gigantic conceptions of enlightened genius Walter Russell, there are 10 full octaves of matter. I have adopted Russell’s conventions in my work as his ideas are very well aligned with mine and I believe his conclusions on many counts are correct.

The complete set of 10 octaves as given by Russell are:

1) The Alphanon Octave

2) The Betanon Octave

3) The Gammanon Octave

4) The Hydron Octave (which contains Hydrogen)

5) The Helium Octave

6) The Neon Octave

7) The Argon Octave

8 ) The Krypton Octave

9) The Xenon Octave

10) The Radon Octave

With the exception of Hydrogen, no tones in Russell’s predicted first four octaves have yet been observed in nature.

Russell named these predicted tones as follows:

Alphanon Octave: Irenon – Vijaon – Marvaon – Tomion – Alberton – Blackton – Boston

Betanon Octave: Jamearnon – Erneston – Eykaon – Athenon – Barnardon – Delphanon – Romanon

Gammanon Octave: Marconium – Penrynium – Vinton – Quentin – Tracion – Buzzeon – Helenon

Hydron Octave: Hydrogen – Ethlogen – Bebegen – Carbogen – Luminon – Halanon – Helionon

It should also be noted that by 1927, Russell had already predicted the existence of a significant number of then unknown elements in the 9th and 10th octaves which have since been discovered. In fact in 1941, the American Academy of Sciences conferred a doctorate on him, after several laboratories had isolated the elements which he had foreseen: Deuterium, Tritium, Neptunium and Plutonium.

The figures below show how light cycles through the higher energy octaves appearing as matter at major tones and certain semi tones.

I have indicated the semi tones in “cents” between 0 and 1000. For example a semi tone falling half way between “Mi” and “Fa” would appear as “Mi500″.

The tones of Walter Russell’s second octave of matter

The tones of Walter Russell’s third octave of matter

At man’s present level of knowledge, the first octave of light in which all of the major tones have been identified is the The Helium Octave. This includes the tones:

Lithium – Beryllium – Boron – Carbon – Nitrogen – Oxygen – Fluorine

Note that the Noble Gases are at equilibrium and produce no physical vibration. In this way, I think there may be some relationship between the nature of Noble Gases and that of Prime Numbers.

The tones of Walter Russell’s fifth octave of matter

The octave above The Helium Octave is the Neon Octave and it includes the major tones:

Sodium – Magnesium – Aluminum – Silicon – Phosphorus – Sulfur – Chlorine – Neon

The tones of Walter Russell’s sixth octave of matter

The listing of these Semi tones for the 7th Octave of matter (The Argon Octave) including their associated Major tones are:

Potassium – Calcium – Scandium | (Major tones)

Titanium – Vanadium – Chromium – Manganese – Iron | (Semi tones)

Cobalt | (Major tone)

Nickel – Copper – Zinc – Gallium – Germanium | (Semi tones)

Arsenic – Selenium – Bromine | (Major tones)

The tones of Walter Russell’s seventh octave of matter

The listing of Semi tones for the 8th Octave of matter (The Krypton Octave) including their associated Major tones are:

Rubidium – Strontium – Yttrium | (Major tones)

Zirconium – Niobium – Molybdenum – Technetium – Ruthenium | (Semi tones)

Rhodium | (Major Tone)

Palladium – Silver – Cadmium – Indium – Tin | (Semi Tones)

Antimony – Tellurium – Iodine | (Major Tones)

The tones of Walter Russell’s eighth octave of matter

The listing of tones for the 9th Octave of matter, The Xenon Octave are:

Caesium – Barium – Lanthanum | (Major tones)

Cerium – Praseodymium – Neodymium – Promethium – Samarium – Europium – Gadolinium – Terbium – Dysprosium – Holmium – Erbium – Thulium | (Semi tones)

Ytterbium | (Major Tone)

Lutetium – Hafnium – Tantalum – Tungsten – Rhenium – Osmium – Iridium – Platinum – Gold – Mercury – Thallium – Lead | (Semi Tones)

Bismuth – Polonium – Astatine | (Major Tones)

The tones of Walter Russell’s ninth octave of matter

The listing of Semi tones for the 10th Octave of matter (The Radon Octave) including their associated Major tones are:

Caesium – Barium – Lanthanum | (Major tones)

Cerium – Praseodymium – Neodymium – Promethium – Samarium – Europium – Gadolinium – Terbium – Dysprosium – Holmium – Erbium – Thulium | (Semi tones)

Ytterbium | (Major Tone)

Lutetium – Hafnium – Tantalum – Tungsten – Rhenium – Osmium – Iridium – Platinum – Gold – Mercury – Thallium – Lead | (Semi Tones)

Bismuth – Polonium – Astatine | (Major Tones)

The tones of Walter Russell’s tenth octave of matter

In the same way that the “number line”

is perhaps more rightly thought of as a “number spiral”

and in the same way that the growth and contraction structure of numbers themselves cycle internally with “breathe-like” ebb and flow,

so too is the periodic table more closely representative of matter’s true nature with all its periodicities when represented using a spiral rather than today’s less perfect rectangular representation.

The mapping between the Spiral Periodic Table of Light and the Vortex Glyph is as follows:

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]]>Energy manifests on the stage of space and time as what we perceive as vibration; waves of pressure (the force of intention) imparted by light (which emanates from and is received by Mind) onto the stage of the conscious field. The quintessential nature of unmanifested energy (the intention of Mind) is refracted by the prism of space and time thus, thought finds its path to form.

It is very much like when the octave of visible light (Octave 50) is refracted, by the orderly geometry of a material crystalline lattice, into its 7 major tone components. In both cases, precisely the same thing has happened: expressions of Unity have fallen into less perfect pluralistic states so as to be made “digestible” for the witnessing “physical” presence.

Energy is mind-ignited causality.

Space and time are the stage where the effects of this causality unfold.

This refraction of energy through space and time is seen to be vibratory, its oscillatory results emanating spherically whether perfectly or oblately.

The scale (or length) of each oscillation is related to the number of oscillations the energy wave produces in a given unit of time. Though every octave may be infinitely divided (or at least very minutely divided indeed) into ever finer shades of semi-tones, there exists a direct correspondence between the Golden Ratio, Phi, and the 12 major and minor tones. These 12 tones fall into natural agreement with the universal human aesthetic for sight (color) and sound (pitch). These seminal tone positions within each octave are represented below. I have clad them in the terminology of western music theory together with the Phi generated mathematical ratios which cause them.

Notice how the Major Tones “point” to the Northeast and the Minor Tones point to the Southwest. Notice also the opposing symmetry between the grey and white shapes.

Equilateral triangles indicate 5 steps from any root note as shown below.

The 12 tone series of charts below provide specific frequency and wavelength data about 100 octaves of light. The series ranges from Octave 1 (starting from the tone produced by a single oscillation in one second) up through Octave 100 (starting with the tone produced by 1,267,650,600,228,229,401,496,703,205,376 oscillations in one second).

All energy cycles through countless octaves of light.

There is a correspondence between the quality of mind-generated causality and rate of light vibration produced by that mind.

A mind generating high vibrational causality will be perceived on the stage of effects as the author of kindness and love.

A mind generating low vibrational causality will be perceived on the stage of effects as the author of shades of darkness and hatred.

Each octave is like every other except for in scale.

As above, so below.

A mind generating extremely high vibrational causality will be perceived as the author of the “miraculous” as they are no longer bound by ordinary physical constraints. Such minds, through persistent effort, have become able to work natively with extremely high vibrations of light, vibrations so high as to be beyond the range of ordinary human experience. Such experiences transcend the senses and these minds are able to work consciously with higher light vibrations, known by some as Astral light, through intention alone.

Though this eventuality is the aspiration of all major spiritual teachings, I hope to show that one can reach these conclusions by scientifically following where the clues of light and sound harmonics lead which is to the study of one’s own mind and the eventual understanding that all minds are in fact unified as One Mind in the cosmic vastness of the Conscious Field.

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]]>The chart below reflects 100 octaves beginning from 1 cycle per second all the way up through 1,267,650,600,228,229,401,496,703,205,376 Hz (or a million billion billion cycles per second).

I have not tuned my chart to Standard Pitch where A = 440Hz. I have instead used Scientific Pitch (also known as Philosophical Pitch) where Middle C = 256 Hz and where A = 426.|6| Hz. I have noticed that some people add the closed cycle 6 to the open cycle portion and call this, erroneously, A = 432Hz.

I have shifted down from Standard pitch because the mathematics underlying Scientific Pitch are perfectly aligned with Foundational Mathematics while Standard Pitch produces many irrational values suggesting a kind of dissonance or lack of alignment with the fractality of the Conscious Field itself.

In high octaves of light, far higher then Gamma Rays, light condenses into the 10 Octaves of Matter. For more about this topic, see my earlier writing:

http://www.alexpetty.com/2014/09/21/the-periodic-table-of-light/

Beyond the Octaves of Matter begin the Octaves of Lower Astral Light. This point in the energy scale marks the borderline between human spirituality and western science.

“As above, so below”. As the vibrations of light oscillate to ever higher rates, light extends further and further into subtler levels of the conscious field, which is to say that it extends into ever higher vibrations of universal consciousness.

]]>However, since at least three parts are required for balanced motion (ie., a vortex), base 2 mod 1 shows itself to be a mirror in stillness.

Balanced stillness:

Balanced motion:

Below are 33 incrementations of the following number systems

Base 9 MOD 8

Base 8, MOD 7

Base 7, MOD 6

Base 6, MOD 5

Base 5, MOD 4

Base 4, MOD 3

Base 3, MOD 2

Base 2, MOD 1

In the charts below, Red is used to indicate expansion or outflow (+). Grey is used to indicate contraction or inflow (-). Notice how both the contractive and expansive paths always form mirrored palindromes in every base.

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]]>In the plates I have published below, I’ve used red lines to denote a positive or clockwise path and gray lines to denote a negative or counterclockwise path. Where positive and negative flows overlap, a color mixture of red and gray forming a a light peach-brown color. Darker brown colors correspond to a greater number of overlapping fractal paths. For prime sequences, I have used yellow for positive and green for negative. In the same way, overlapping of prime fractal paths results in a kind of olive color. A darker olive color corresponds to a greater number of overlapping prime fractal paths.

In my theory of Foundational Mathematics, numbers can be sorted into 3

**Structural Numbers (Primordial Numbers)**

Structural numbers are few. These fields are the basic building blocks used to create the universe within the conscious field.

**Polar Numbers (Closed Cycle Numbers)**

Polar Numbers shepherd the world of form by imparting force. These include negative, positive and neutral polar number fields. These fields are in the world but not of it.

**Form Numbers (Open Cycle Numbers)**

Form Numbers obey the effects of polar forces and comprise the visible elements of the Creation.

I will now explain these classes of numbers more in-depth.

1, 2 and 5 are archetypal. They are fully Foundational to consciousnesses in its plural aspect. When Unity, through an act of Mind falls into a plural state, the fields of 1, 2 and 5 appear automatically. Note that Unity and 1 are not the same. Unity is an expression of the absolute oneness of the universal whole, while 1 is an expression of “subject” in a “subject and object” world.

**The zero-field** has no physical component. It represents the unmanifested Mind. It represents infinite potential existing apart from the physical Creation. The singularity is where the physical world and the zero-field “touch”.

**The field of one** or **the unity field **represents the Universe in stillness. It is all that is without any distinction imposed upon it by the activity of Mind. Within the unified

**The field of 2 **is Structural. This field is the archetypal expression of plurality.

The elective action of Mind to fall from unity into plurality spawns the basis of dualistic human experience. In this act, subject and object, the space between, the time to traverse and the power of force are born. The image below shows how the vector fields from

See my earlier writing: http://www.alexpetty.com/2009/10/04/relative-motion-of-vectors-produces-fields

When duality arises, consciousness sets up some basic “plumbing” to facilitate this state: 1, 2 and 5.

Whenever the field perturbation represented by 2 appears in the conscious field, the field perturbations represented by 5 automatically also appear. You must understand that numbers represent very specific energetic perturbations signatures and are not merely abstractions as is commonly supposed.

It should also be noted that in my theory of Foundational Mathematics, further vocabulary is needed to distinguish separate concepts of one. The “high concept” of Unity and the “lower concept” of a one as apart from two, ie. the first element of Unity divided.

So then, 2 gives rise to 1 and 5 and then spontaneously sets up the following ratios.

In the case of expansion into a higher enumeration, this relationship is constructed:

In the case of contraction to a lower enumeration, this relationship is constructed:

This expression provides the underpinnings for how the conscious field will use 1, 2 and 5 to enable any level of enumeration. The resulting magnetic interactions produce force and form which gives rise to the universe we experience as human beings.

The conscious field possesses a kind of elasticity. Phi is the mechanism that consciousness uses to control the expansion and contraction of the conscious field into myriad parts. It allows the conscious field to experience itself in any number of divisions the Mind can conceive of. In this way, numbers themselves represent the elastic nature of the conscious field, that aspect which responds automatically to the constructive or destructive will of Mind.

**The field of 5 **is structural as it is an essential element for allowing the conscious field to experience itself

Polarity is established automatically the moment that Unity falls into Plurality. There are three classes of Numeric Polarity: Positive, Negative and Neutral.

The chart below shows how polarity cycles around the circle of nine. Note that as the very first iteration of nine is cycled through (the Primordial Cycle), consciousness is bootstrapping the building blocks it uses to manifest The Physical Creation.

**The field of three **is the first example of what I have called “closed cycle fields”. Any field which is closed cycle is an element of polarity. This is as opposed to elements of physical expansion and contraction (ie. elements of form) which are all “open cycle fields”.

Polarity guides the direction and magnitude of the expansion and contraction of the world of form and it does so in accordance with the elective will mind, communicated by the field perturbations which the mind produces as a feature of its natural function. Consciousness itself is the underlying basis of electricity and magnetism.

The closed cycle field of 3 produces two circular paths |3| and |6| yielding clockwise flow 3-6-9 (or 3-6-0) and a counter-clockwise field 6-3-9 (or 6-3-0). The deflections of these flows form two overlapping, offset and opposed equilateral triangles. Much ancient symbology comes from this archetype including the Star of David.

Three is the positive pole and related directly to the concept of the proton.

**The field of 12 **is the second occurrence of a “layered cycle field” which means it simultaneously contains both closed and open cycles field elements (6 is the first such occurrence).

12 is the positive pole on the second iteration of the circle of 9. Twelve is also the field which marks the half-way point for

**The field of 21 **is a closed cycle field. The 21 field is the positive pole on the third iteration of the circle of 9.

**The field of six **is another very important “closed cycle field”, but it is also the first occurrence of a “layered cycle field” as it simultaneously contains both closed and open cycles. This means that within the field of six is both polarity and form all at once. Thus we see that it is the negative pole around which physical form arises. This is consistent with our experience. The electron is understood to be the carrier of negative charge flow. Since almost the whole of physical human experience is tared around net flows of negative charge, it is for this reason that physical interactions in our world are observed to center around electrons seeking equilibrium states. (In normal experience, we rarely observe positronic charge – so-called cold current – except through exotic circuits which manifest non-linear effects.)

The closed cycle portion of the field of 6 produces two circular paths of |6| and |3| yielding counter-clockwise flow 6-3-9 (or 6-3-0) and clockwise field of 3-6-9 (or 3-6-0). Just as with the field of 3, the deflections of these flows form two overlapping, offset and opposed equilateral triangles however the circular flows in 6 are opposite of 3.

Six is the negative pole and its nature gives rise to the concept of the electron. Human experience is very much about the perception of net flows of charge and the electron is understood to be the carrier of charge. It is for this reason that we interact with negative charge flows in the course of normal experience and rarely with positronic charge or cold current (which is related to 3).

**The field of 15 **is a mixed cycle field. The 15 field is the negative pole on the second iteration of the circle of 9.

**The field of 24 **is a mixed cycle field. The 24 field is the negative pole on the third iteration of the circle of 9.

24 is also the field which completes the magnetic sequencing for the Fibonacci series. Again, you can review this sequencing in the plates included in my earlier writings.

**The field of 9 **is the third polarity, it is the neutral pole which has no physical aspect in creation – and yet it gives rise to the elements which make up nature. Nine is both 0 and 9. It is the Alpha and the Omega. It is the beginning and end of the circle whose 9 divisions resonant with Nature.

The field of nine is composed of eight closed-cycle fields.

Interestingly, the harmonic overtone series for sound, an expression of energy traversing the medium of air as a compression wave, is directly connected to this field table; see plate below from my earlier writings.

Take a moment to review the beautiful degree of balance and symmetry which is contained by the field of nine, **the neutral pole**.

**The field of 18 **is a mixed cycle field. It is the neutral pole on the second iteration of the circle of nine.

**The field of 7 **indicates magnetic neutrality, 7 is therefore by the definition I have set forth in Foundational Mathematics, the first true prime field.

I here offer The Foundational Definition of Prime Numbers:

*A number is prime only when all elements of the number’s field possesses a closed cycle internal structure and when each of these closed cycles sums to zero using clock math for any arbitrary base. *

**All primes exhibit neutral numeric polarity.**

**It appears to me that primality of integers is the result of magnetic neutrality in fields of numeric polarity.**

The observation that primes are divisible only by themselves and one is a side-effect of their neutral numeric polarity. More fundamentally, since primes are internally balanced, they are magnetically inert and therefore unable to combine geometrically with other numeric fields. This is the actual basis for the “atomic” nature of primes. Furthermore, I hypothesize that the chemically inert nature of the Noble Gases is directly related to this quality of prime numbers.

Primes fields possess an incredible and very beautiful degree of palindromic symmetry and cyclic resonances. It is my view that all prime integers enclose fractal series which possess the characteristics of closed-cycle rotation, palindromic symmetry, and net numeric neutrality.

It is my further view that the fields of 2 and 5 can *not *truly be considered prime as they are neither magnetically neutral nor do they possess a closed cycle nature. Instead, I regard 2 and 5 as Structural numbers. I also do not regard 3 as prime since its closed-cycle has a net positive polarity rather than a net neutral polarity.

*All primes are closed-cycle* which means that despite their magnetic neutrality, they are indeed instruments of polarity, a kind of neutral “Divine” Polarity. The chart below shows the manner in which this neutral polarity is distributed and how the conscious field extends its tendrils of neutral polarity throughout the channels of expansion and contraction.

**The field of 11 **is the second magnetically neutral field and therefore it is considered in Foundational Mathematics as the second prime number. Again, in Foundational Mathematics, we consider that 2 and 5 are not Prime but Structural and that 3 is also not Primes but a Structural Archetype of Polarity.

Observe that the field of 11 it is composed of five separate sequences, each which sum to nine. Again, this is a quality of the primes alone.

The first 5 sequences flow in a positive direction while the other 5 flow in a negative direction.

09, 18, 27, 36 and 45 are palindromic with the latter 54, 63, 72, 81 and 90. These sequences are perfectly opposite flows.

**The field of 13 **is the third magnetically neutral integer and therefore it is the third prime number.

Observe that it is composed of two separate sequences, again, each sum to nine (a quality of the primes alone).

The first rotating closed sequence is 076923.

The second rotating closed sequence is 153846.

**The field of 17 **is the fourth magnetically neutral integer and therefore it is the fourth prime number.

This prime contains one rotating closed sequence of 0588235294117647 which again, sums to magnetic neutrality.

**The field of 19 **is the fifth magnetically neutral integer and therefore it is the fifth prime number.

**The field of 23 **is the sixth magnetically neutral integer and therefore it is the sixth prime number.

I have studied thousands of prime fields and without exception, they all possess neutral pole closed cycle rotation, (ie. all fractal elements of primes sum to nine.)

In this, I believe I have arrived at a deeper, more causal definition for primes and the reason *why* these numbers, in a diamagnetic sense, cannot be geometrically reduced by other numbers.

Here are a few more Foundational Prime Tables for good measure. Watch in particular how the magnetic orientation in the fields become ever more elaborate and beautiful.

The perfect balance is always struck in the following manner:

0 (Neutral) pairs with 9 (Neutral)

1 (Neutral -) pairs with 8 (Neutral +) creating Form Neutrality around the neutral pole at 9

3 (Pole +) pairs with the 6 (Pole -)

7 (-) with 2 (+)

5 (-) with 4 (+)

Form Positivity is the result of 2 and 4 proximity to 3.

Form Negativity is the result of 5 and 7 proximity to 6.

As you consider this, you may find it helpful to study this plate:

**The field of 4 **is an open cycle field. Open cycle fields always represent the world of form in growth or contraction shepherded by the closed cycle forces of polarity.

Form always progresses in a doubling or halving pattern. Consider that the cells of an embryo developing in the womb follow this pattern during mitotic division; during the process of initiating a new

1 cell doubles to 2

2 cells doubles to 4

4 cells doubles to 8

8 cells doubles to 16 (which compresses to 7 in mod9)

16 cells doubles to 32 (which compresses to 5 in mod9)

32 cells doubles to 64 (which compresses to 1 in mod9, completing the cycle around the circle of 9)

Within every process, from embryonic cellular division to complex fluid dynamics, the progression of all manifestations of form always obey this archetypal pattern.

In the second iteration of 9, one observes that:

64 double to 128 (mod9: 1 doubles to 2)

128 doubles to 256 ( mod9: 2 doubles to 4 )

256 doubles to 512 ( mod9: 4 doubles to 8 )

and so on.

The doubling and halving are governed by the closed cycle forces of positive, negative and neutral polarity ever guiding form in accordance with the will of consciousness which govern the shape and form of the Physical Creation.

**The field of 8 **is an open cycle field.

**The field of 10 **is an open cycle field.

**The field of 14 **is mixed cycle field:

**The field of 16 **is an open cycle field:

**The field of 20 **is an open cycle field:

**The field of 22 **is a mixed cycle field:

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]]>When a thermodynamic gradient is manifest, such as a gravity field, an emf gradient, a temperature gradient, we say that there exists an energy well. When such wells of potential are tapped and energy is transferred through space and time, we call this power.

Energy moving through the medium of a conductive material lattice, such as through a copper conductor, produces charge pressure waves.

Energy moving through the medium of air produces air pressure waves that we can sense with our ears. We then translate these pressure waves into sound in our mind.

A highly intuitive way to think about the transference of energy is to consider sound harmonics because there is a direct correspondence between the two. As has been said, “As above, so below”. Being a musician, I have spent my life working with harmonics as music and so find the analysis of sound harmonics to be a convenient avenue for intuiting the nature of higher order vibrational energy.

Below is the harmonic series and then again each harmonic series for every overtone.

Below is the harmonic series table above reduced to mod9 values.

Below is the balanced square of nine.

There is a relationship between this arrangement and the circle of 11.

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I have formulated the view that mind creates the *field *we think of as *numbers *through the act of creative will. This contrasted with a mind at rest which experiences unity, that is, it experiences oneness with all that is as an undifferentiated field of emptiness.

A mind with a will to experience separateness through subject and object instantly brings numbers into being. These numbers

Numbers then, which radiate from the consciousness field, are the conduit connecting cause to effect. For many years I have held the idea that numbers are the fundamental unit of force which, directed by the mind and tempered by a vast cosmological nexus of cause and effect, combine to manifest the physical creation that we as human beings experience as life.

I believe that my theory of Numeric Polarity (see my earlier writings on Numeric Polarity) is in harmony with creation; simple and yet rooted at the very border line of mind and matter. It is through numbers and by the simple set of self-constructive “rules” encoded within the glyph below that the Universe organizes itself into myriad variation. Now more then at any other time in documented history, I believe that the primes are in serious danger of giving up their long guarded enigmatic nature in large part due to the entirely new perspectives being offered through emergent revolutionary patterns of thought.

The *physical *universe is fundamentally divided into 9 parts.

The number 9 represents the seat of the creative or destructive will. The numbers 3 and 6 extend from nine as polarity which imparts motive force from the creative will into the Creation. It is for this reason that the poles of duality are reflected in every facet of existence; subject and object, night and day, good and evil, sweet and sour, hot and cold, plus and minus, up and down, east and west, Yin and Yang and so on. This functioning of the principles encoded in the vortex glyph create space, time and force through interactions with the poles at 3 and 6, which are “powered” by their connection to creative or destructive will at 9.

9 is is never “physically” present in the system but ever guiding it

The idea of balance in stillness on a circle of 9 is not possible since 9 is by its unpaired nature inherently unbalanced. This confers upon the cosmos a basic state of “restlessness” which is the root cause of the vortex from which arises the physical Creation.

The Yin Yang symbol indicates balance at rest, perfected stillness. To obtain this level of stillness, one must transcend physical (or mod9) based existence altogether and transfer consciousness to the higher sphere, the circle of 8. Eastern and Western spiritual traditions have both pointed towards this aspiration with concepts like enlightenment and atonement. The s-curve in the Yin Yang symbol contains the potential of Creation, but as there can be no “movement” in this perfect state, the potential remains unexpressed until an act of creative will sets the system into motion.

Once the system is set into motion, the expression of Yin Yang takes on another form.

The glyph I have constructed above illustrates how the rise of polarity sets into motion a magnetic vortex which is at once a balance of positive and negative polarity. When this balance exists through equilibrium, a third neutral force can be observed in the system. This glyph above represents how aether (or charge) flows.

I believe the crop circle below may represents the same idea.

The Aetheric Vortex which gives rise to physical existence is powered by the cosmological trait of in-flow and out-flow shepherded by polarity. I believe that this principle produces all physical phenomenon at every scale: the “atom”, the breath of the human body, and spiraling arms of galaxies. We have here put our finger on the basic underlying principle which governs the mechanics of the physical Creation.

Here is a brief outline of my idea of Numeric Polarity:

Since 2 and 4 are both even (or paired numbers), I think of them as being “complete”. I therefore refer to these as having an inherently positive polarity. Since 5 and 7 are both odd (or unpaired numbers), I think of them as “incomplete” and say that they have inherently negative polarity. Here, I am borrowing the existing conventions around negative particle behavior.

To better understand the polarity of numbers, consider the diagram below.

The numbers **2 and 4** “insulate” the positive pole at 3. **No primes will ever occur along the 3** radial which passes through 3 from the center of the circle of 9.

The numbers** 5 and 7** “insulate” the negative pole at 6. **No primes will ever occur along the 6 radial** which passes through 6 from the center of the circle of 9.

The numbers **8 and 1** “insulate” the neutral pole at 0 / 9. **No primes will ever occur along the 9 radial** which passes through 9 from the center of the circle of 9.

I think that the prime numbers are the result of particular interference patterns between the vector fields produced by the numbers themselves. I refer to these as “Numeric Field Interactions” and define Numeric Fields to be the quantum field produced by the mind wherever there is a conscious will differentiating unity into plurality. The term Quantum is defined as:

quan·tum *n.* *pl.* **quan·ta** **1. **A quantity or amount.**2. **A specified portion.**3. **Something that can be counted or measured.

The definition of this term is conformant with the ideas being expressed in this writing. It makes one wonder how well the fathers of Quantum Mechanics understood the important significance of the numbers themselves.

The growth and contraction of all physical systems

The first 7 primes (from 1 to 27) are indicated with purple circles. Note that I **do not consider 1, 2 or 3 to be prime** as my definition of primes is built upon a theory of field interactions rather than the coinciding (but surely related) effect of prime factorization. Note that I refer to each complete cycle around the circle of nine as an *incrementation*.

In some cases, the primes insulate both sides of the negative or positive polarity line. In other cases, they only insulate one side of it. The more one increments around the circle of nine, the fewer occurrences of primes one encounters. I think this is because higher incrementations are further from the center of the vortex and therefore causes a diminishing strength of interaction between the numeric fields.

Below is a listing of all of the first 720 incrementations around the circle of nine. The table indicates numeric polarity and the position of the primes.

An analysis of the table above will indicate that there is a magnetic attraction between the alternating columns conferred by the poles at 3 and 6.

The table above collapses magnetically as follows.

If you overlap all of the numbers sorted according to their numeric polarity, you will see that no positive prime ever overlaps with a negative boundary prime. You will also see that no negative prime ever overlaps with a positive boundary prime.

I have also found that analysis of the numeric polarity for the Fibonacci sequence reveals an infinitely repeating cycle of interlaced magnetic polarity.

Of particular interest are the so-called prime quintuplets which are defined as places on the circle of nine where the closest possible density of prime numbers occur.

I have included a table of the first 39 prime quintuplets.

Below are the 3 possible prime quintuplet configurations and associated polarities.

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]]>Even more interesting is that when you pass the centers of the circles through one another, a mathematical singularity occurs and produces the predicted field of a black hole! I captured the effect and posted it on YouTube (embedded below):

The image below emphasizes my observation.

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