Endless Octaves of Light

To begin to understand energy, it is necessary to develop an understanding of harmonics. How convenient is it that the underlying infinite intelligence has endowed humanity with senses that can be used by the astute to intuit energy’s true nature, to thus arrive at a  higher understanding by an analysis of  light and sound?

Energy manifests on the stage of space and time as what we perceive as vibration; waves of pressure (the force of intention) imparted by light (which emanates from and is received by Mind) onto the stage of the conscious field. The quintessential nature of unmanifested energy (the intention of Mind)  is refracted by the prism of space and time thus, thought finds its path to form. It is very much like when the octave of visible light (Octave 50) is refracted, by the orderly geometry of a material crystalline lattice, into its 7 major tone components. In both cases, precisely the same thing has happened: expressions of Unity have fallen into less perfect pluralistic states so as to be made “digestible” for the witnessing “physical” presence.

Energy is mind-ignited causality.

Space and time are the stage where the effects of this causality unfold.

This refraction of energy  through space and time is seen to be vibratory, its oscillatory results emanating spherically whether perfectly or oblately.

The scale (or length) of each oscillation is related to the number of oscillations the energy wave produces in a given unit of time.  Though every octave may be infinitely divided (or at least very minutely divided indeed) into ever finer shades of semi-tones, there exists a direct correspondence between the Golden Ratio, Phi,  and the  12 major and minor tones. These 12 tones fall into natural  agreement with the universal human aesthetic for sight (color) and sound (pitch). These seminal tone positions within each  octave are represented below. I have clad them in the terminology of western music theory together with the Phi generated mathematical ratios which cause them.

Figure 0. - 12 tones of C

Figure 0. - 12 tones of C

Notice how the Major Tones “point” to the Northeast and the Minor Tones point to the Southwest. Notice also the opposing symmetry between the grey and white shapes.

The relationships between the Perfect Fifth intervals are instructive.

Figure 0.5 - Equilateral Fifths

Figure 0.5 - Equilateral Fifths

The 12 tone series of charts below provides specific frequency and wavelength data about 100 octaves of light. The series ranges from Octave 1 (starting from the tone produced by a single oscillation in one second)  up through Octave 100 (starting with the tone produced by 1,267,650,600,228,229,401,496,703,205,376  oscillations in one second).

Octave 1

Figure 1. - Octave 1

Figure 1. - Octave 1

Octave 2

Figure 2. - Octave 2

Figure 2. - Octave 2

Octave 3

Figure 3. - Octave 3

Figure 3. - Octave 3

Octave 4

Figure 4. - Octave 4

Figure 4. - Octave 4

Octave 5

Figure 5. - Octave 5

Figure 5. - Octave 5

Octave 6

Figure 6. - Octave 6

Figure 6. - Octave 6

Octave 7

Figure 7. - Octave 7

Figure 7. - Octave 7

Octave 8

Figure 8. - Octave 8

Figure 8. - Octave 8

Octave 9

Figure 9. - Octave 9

Figure 9. - Octave 9

Octave 10

Figure 10. - Octave 10

Figure 10. - Octave 10

Octave 11

Figure 11. - Octave 11

Figure 11. - Octave 11

Octave 12

Figure 12. - Octave 12

Figure 12. - Octave 12

Octave 13

Figure 13. - Octave 13

Figure 13. - Octave 13

Octave 14

Figure 14. - Octave 14

Figure 14. - Octave 14

Octave 15

Figure 15. - Octave 15

Figure 15. - Octave 15

Octave 16

Figure 16. - Octave 16

Figure 16. - Octave 16

Octave 17

Figure 17. - Octave 17

Figure 17. - Octave 17

Octave 18

Figure 18. - Octave 18

Figure 18. - Octave 18

Octave 19

Figure 19. - Octave 19

Figure 19. - Octave 19

Octave 20

Figure 20. - Octave 20

Figure 20. - Octave 20

Octave 21

Figure 21. - Octave 21

Figure 21. - Octave 21

Octave 22

Figure 22. - Octave 22

Figure 22. - Octave 22

Octave 23

Figure 23. - Octave 23

Figure 23. - Octave 23

Octave 24

Figure 24. - Octave 24

Figure 24. - Octave 24

Octave 25

Figure 25. - Octave 25

Figure 25. - Octave 25

Octave 26

Figure 26. - Octave 26

Figure 26. - Octave 26

Octave 27

Figure 27. - Octave 27

Figure 27. - Octave 27

Octave 28

Figure 28. - Octave 28

Figure 28. - Octave 28

Octave 29

Figure 29. - Octave 29

Figure 29. - Octave 29

Octave 30

Figure 30. - Octave 30

Figure 30. - Octave 30

Octave 31

Figure 31. - Octave 31

Figure 31. - Octave 31

Octave 32

Figure 32. - Octave 32

Figure 32. - Octave 32

Octave 33

Figure 33. - Octave 33

Octave 34

Figure 34. - Octave 34

Figure 34. - Octave 34

Octave 35

Figure 35. - Octave 35

Figure 35. - Octave 35

Octave 36

Figure 36. - Octave 36

Figure 36. - Octave 36

Octave 37

Figure 37. - Octave 37

Figure 37. - Octave 37

Octave 38

Figure 38. - Octave 38

Figure 38. - Octave 38

Octave 39

Figure 39. - Octave 39

Figure 39. - Octave 39

Octave 40

Figure 40. - Octave 40

Figure 40. - Octave 40

Octave 41

Figure 41. - Octave 41

Figure 41. - Octave 41

Octave 42

Figure 42. - Octave 42

Figure 42. - Octave 42

Octave 43

Figure 43. - Octave 43

Figure 43. - Octave 43

Octave 44

Figure 44. - Octave 44

Figure 44. - Octave 44

Octave 45

Figure 45. - Octave 45

Figure 45. - Octave 45

Octave 46

Figure 46. - Octave 46

Figure 46. - Octave 46

Octave 47

Figure 47. - Octave 47

Figure 47. - Octave 47

Octave 48

Figure 48. - Octave 48

Figure 48. - Octave 48

Octave 49

Figure 49. - Octave 49

Figure 49. - Octave 49

Octave 50

Figure 50. - Octave 50

Figure 50. - Octave 50

Octave 51

Figure 51. - Octave 51

Figure 51. - Octave 51

Octave 52

Figure 52. - Octave 52

Figure 52. - Octave 52

Octave 53

Figure 53. - Octave 53

Figure 53. - Octave 53

Octave 54

Figure 54. - Octave 54

Figure 54. - Octave 54

Octave 55

Figure 55. - Octave 55

Figure 55. - Octave 55

Octave 56

Figure 56. - Octave 56

Figure 56. - Octave 56

Octave 57

Figure 57. - Octave 57

Figure 57. - Octave 57

Octave 58

Figure 58. - Octave 58

Figure 58. - Octave 58

Octave 59

Figure 59. - Octave 59

Figure 59. - Octave 59

Octave 60

Figure 60. - Octave 60

Figure 60. - Octave 60

Octave 61

Figure 61. - Octave 61

Figure 61. - Octave 61

Octave 62

Figure 62. - Octave 62

Figure 62. - Octave 62

Octave 63

Figure 63. - Octave 63

Figure 63. - Octave 63

Octave 64

Figure 64. - Octave 64

Figure 64. - Octave 64

Octave 65

Figure 65. - Octave 65

Figure 65. - Octave 65

Octave 66

Figure 66. - Octave 66

Figure 66. - Octave 66

Octave 67

Figure 67. - Octave 67

Figure 67. - Octave 67

Octave 68

Figure 68. - Octave 68

Figure 68. - Octave 68

Octave 69

Figure 69. - Octave 69

Figure 69. - Octave 69

Octave 70

Figure 70. - Octave 70

Figure 70. - Octave 70

Octave 71

Figure 71. - Octave 71

Figure 71. - Octave 71

Octave 72

Figure 72. - Octave 72

Figure 72. - Octave 72

Octave 73

Figure 73. - Octave 73

Figure 73. - Octave 73

Octave 74

Figure 74. - Octave 74

Figure 74. - Octave 74

Octave 75

Figure 75. - Octave 75

Figure 75. - Octave 75

Octave 76

Figure 76. - Octave 76

Figure 76. - Octave 76

Octave 77

Figure 77. - Octave 77

Figure 77. - Octave 77

Octave 78

Figure 78. - Octave 78

Figure 78. - Octave 78

Octave 79

Figure 79. - Octave 79

Figure 79. - Octave 79

Octave 80

Figure 80. - Octave 80

Figure 80. - Octave 80

Octave 81

Figure 81. - Octave 81

Figure 81. - Octave 81

Octave 82

Figure 82. - Octave 82

Figure 82. - Octave 82

Octave 83

Figure 83. - Octave 83

Figure 83. - Octave 83

Octave 84

Figure 84. - Octave 84

Figure 84. - Octave 84

Octave 85

Figure 85. - Octave 85

Figure 85. - Octave 85

Octave 86

Figure 86. - Octave 86

Figure 86. - Octave 86

Octave 87

Figure 87. - Octave 87

Figure 87. - Octave 87

Octave 88

Figure 88. - Octave 88

Figure 88. - Octave 88

Octave 89

Figure 89. - Octave 89

Figure 89. - Octave 89

Octave 90

Figure 90. - Octave 90

Figure 90. - Octave 90

Octave 91

Figure 91. - Octave 91

Figure 91. - Octave 91

Octave 92

Figure 92. - Octave 92

Figure 92. - Octave 92

Octave 93

Figure 93. - Octave 93

Figure 93. - Octave 93

Octave 94

Figure 94. - Octave 94

Figure 94. - Octave 94

Octave 95

Figure 95. - Octave 95

Figure 95. - Octave 95

Octave 96

Figure 96. - Octave 96

Figure 96. - Octave 96

Octave 97

Figure 97. - Octave 97

Figure 97. - Octave 97

Octave 98

Figure 98. - Octave 98

Figure 98. - Octave 98

Octave 99

Figure 99. - Octave 99

Figure 99. - Octave 99

Octave 100

Figure 100. - Octave 100

Figure 100. - Octave 100

All energy cycles through countless octaves of light.

There is a correspondence between the quality of mind-generated causality and rate of light vibration produced by that mind.

A mind generating high vibrational causality will be perceived on the stage of effects as the author of  kindness and love.

A mind generating low vibrational causality will be perceived on the stage of effects as the author of shades of darkness and hatred.

Each octave is like every other except for in scale.

As above, so below.

A mind generating extremely high vibrational causality will be perceived on the stage of effects as the author of the “miraculous”  for such a one is no longer bound by the ordinary constraints of physical existence. Such minds, through persistent effort, have become able to work natively with extremely high vibrations of light, vibrations so high as to be beyond the range of ordinary human experience. Such experiences transcend the senses and these  minds are able to work consciously with Astral light by intention alone.

Though this eventuality is the aspiration of all major spiritual teachings, I have set out to show that one can reach these conclusions (and experiences) by scientifically following where the clues of light and sound harmonics lead which is to the inner study of one’s own mind and the eventual understanding that all minds are in fact Unified as One Mind in the cosmic vastness of the Conscious Field.

.:.

One Response to “Endless Octaves of Light”

  1. Matthew says:

    Hope to see another post in the future. You write one of my favorite blogs on the internet.

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